philosophie fantastique / expresionismo retro / néopauvre, avantgarde chaude / métaphysique de genre (repertoire) désorientalisme, shawarmaness, en perte ouverte ayant rendu evidence de ce que chacun garde pour soi & pour tout dans la perte de caution intellectuelle / mon angoisse : si on le fait pas, malgré qu'on le pense, qu'est-ce que cela veut dire ??? chef-d'oeuvre en décomposition, en perte de texture ou perte icastique, edifice abandonné au regard nomade, utopique
dimanche 31 mars 2019
vendredi 29 mars 2019
LE DIVIN NARCISSE scène 16 Fin
cher(e)s ami(e)s je n'ai pas fourni l'intégrale de toutes les scènes mais en tout cas, voici la dernière scène d'une sorte de théâtre de marionnettes fait de dessins et aquarelles avec texte mexicain baroque AU FÉMININ de S.Juana Inés de la Cruz (XVII e siècle) traduit au vol (performativement) avec guitare au philtre synthé
work in progress (since now the whole of the scènes is accomplished as a choice of work on paper and a first performative translation ) about Mexican poet Sister Juana Inés de la Cruz that is the more genial barroco period writer in America same time i'm translating once from Spanish to French with guitar sound and drawing allegories with pencil, marker and watercolor in the mood after visiting an exhibition in Paris Impressionist Museum at the Tuilleries by Paula Rego in the mood of decolonial interest on Barroco period (XVII century and so on...) and in women's writing in the mood since the nineties of the bridging concept of mestizaje or revolutionary love and the fantasy of a Jewish Kabbalah origin and secret derviche teachings in gypsy traditions of my birth town, melting-pot of Africa, Europe and the place where installed the first indian native Americans that came to Europe with Christopher Columbus in the XV century's nineties equally in the mood because i'm expecting Spring Time and try my first vegetal motives on the side of aquarelles and because Paris makes me dream #LezamaLima, #ezrapawn, #deepdiapo, #expresionismoretro, #nu, #dessin, #bizarre, #exotique, #précolombienmyth, #Berniniste, #klossowskiano, #barroco, #poetry, #shawarmaness
work in progress (since now the whole of the scènes is accomplished as a choice of work on paper and a first performative translation ) about Mexican poet Sister Juana Inés de la Cruz that is the more genial barroco period writer in America
same time i'm translating once from Spanish to French with guitar sound and drawing allegories with pencil, marker and watercolor
in the mood after visiting an exhibition in Paris Impressionist Museum at the Tuilleries by Paula Rego
in the mood of decolonial interest on Barroco period (XVII century and so on...) and in women's writing
in the mood since the nineties of the bridging concept of mestizaje or revolutionary love and the fantasy of a Jewish Kabbalah origin and secret derviche teachings in gypsy traditions of my birth town, melting-pot of Africa, Europe and the place where installed the first indian native Americans that came to Europe with Christopher Columbus in the XV century's nineties
equally in the mood because i'm expecting Spring Time and try my first vegetal motives on the side of aquarelles and because Paris makes me dream
#LezamaLima, #ezrapawn, #deepdiapo, #expresionismoretro, #nu, #dessin, #bizarre, #exotique, #précolombienmyth, #Berniniste, #klossowskiano, #barroco, #poetry, #shawarmaness
jeudi 28 mars 2019
LE DIVIN NARCISSE Tableau 5 scène 13
je dessine toujours
et traduit théâtre baroque
mes personnages oscillent entre la mémoire et l'imaginaire
ha estado cargando esta noche
el fotograma que ves es un dibujo de 1997
no está en el video
los dibujos del video son de ahora de anoche
fui a la terraza de " l. m. b. "
estuve muy poco, sólo tomarme el café
sintiéndome raro, querido y odiado a la vez
llevaba Discurso Figura
Discours, Figure, de Jean-François Lyotard
que por fuera es una foto gris como con relieve del cuadro de la muerte de Holbein
aunque no se sabe qué es
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